Manami Suzuki

Ziggy and Miles, duo guitarists

Ziggy and Miles, Duo Guitarists

Sunday, March 29, 2026

3 pm

Memorial Hall, OTR

Winners of the 2023 Young Concert Artists International Auditions, Ziggy and Miles are two of Australia’s finest young musicians forging an international career. Their performances are known for their “deeply considered musicianship, immaculate care and superlative technique” (5MBS). The brothers became the first guitar duo and second guitarists to receive this prestigious award in the organization’s history.

With over 50 awards between them in guitar competitions and local Welsh music Eisteddfods across their home city of Melbourne, Ziggy and Miles proved their artistry as soloists and a duo from a young age. Among their early accolades are major prizes in competitions hosted by the Guitar Foundation of America, the Adelaide International Guitar Festival and the Melbourne Recital Center.

Their long-awaited new album, Sidekick, was featured as one of New York’s WQXR’s “Best New Classical Albums of 2023.” Praised by Soundboard Magazine, it showcases new works written for the brothers, their own “transfixingly beautiful” (Limelight) arrangement of Debussy’s Clair de Lune, and works that have shaped their musical identity from Spain, Latin America, and Australia.

Actively involved in community engagement, they have a passion for providing education and music to people without access to live performances or high-quality music education. They have collaborated with organizations across Australia and the U.S. Graduates of The Juilliard School, Ziggy and Miles were the first Australians and first guitar duo accepted into the school’s prestigious Artist Diploma program, where they also received the Norman Benzaquen Career Advancement Grant.

VIDEOS

“Excellent ensemble skills and articulations

throughout with virtuosity to spare.”

— This is Classical Guitar

“Personable, relaxed and utterly winning.”

— Limelight

“deeply considered musicianship, immaculate care

and superlative technique”

5MBS

PROGRAM

TBA

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Jaeden Izik-Dzurko, piano

Jaeden Izik-Dzurko, Piano

Sunday, March 8, 2026

3 pm

Memorial Hall, OTR

Winner of the 2024 Leeds International Piano Competition and recipient of the Dame Fanny Waterman Gold Medal, 25-year-old Canadian pianist Jaeden Izik-Dzurko has been celebrated by audiences, critics and composers alike for his communicative power, refined technical command and artistic maturity. A few months before his triumph in Leeds, Jaeden became the first Canadian Grand Prize Laureate in an instrumental edition of the Concours musical international de Montréal in May 2024.

An experienced recitalist, Jaeden has made prominent debuts in the U.S., Canada, Spain, and Germany. Recent concerto performances have taken him to Spain, Canada and England. His playing has been broadcast on American Public Media’s Performance Today, BBC Radio 3’s In Tune, BBC4 TV, Catalunya Ràdio, CBC Radio’s In Concert, New York’s WQXR’s Young Artists Showcase, and medici.tv.

Jaeden first gained international recognition in 2022, claiming first prize at the Hilton Head International Piano Competition, the Maria Canals International Music Competition, and the 20th Paloma O’Shea Santander International Piano Competition, where he also won the Canon Audience Prize and the Chamber Music Award. In 2024, he was awarded a Borletti-Buitoni Trust Fellowship.

VIDEOS

“… one of Canada’s most exciting

classical music talents.”

— Anthony Miller, Macleans

“He demonstrated exceptional artistic maturity and imagination, remarkable technical command, and a profound ability to captivate and transport the audience through his storytelling and poetry …”

— Dame Imogen Cooper, Chair of

the 2024 Leeds International

Piano Competition Jury

In a world of competition, hype and promotion, Jaeden Izik-Dzurko stands apart. He is a sincere artist and deserves our attention.

Bachtrack

PROGRAM

TBA

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Bridget Kibbey, harp

Bridget Kibbey, Harp

Sunday, November 16, 2025

3 pm

Memorial Hall, OTR

Lending her singular virtuosity and verve to the concert harp, Bridget Kibbey, a native of Findlay, Ohio, is known for her great musical instincts that transcend the harp. She interprets the masters—Bach,Debussy, Ravel, Bartok—bringing “a fresh face to the familiar music”(Seattle City Arts Magazine), while being a bold advocate of genre-crossing storytelling and newly-commissioned works. Her virtuosic and soulful ability to communicate draws in the audience. She has appeared as soloist with numerous orchestras and has been featured as soloist in top halls internationally.

Kibbey is the recipient of a prestigious Avery Fisher Career Grant, a Salon de Virtuosi SONY Recording Grant, premiere prix at the Journées de les Harpes Competition in Arles, France, and won a place in the Chamber Music Society of Lincoln Center’s Bowers Program. Her solo performances have been broadcast widely, and she has recorded to great critical acclaim.

Her debut album was named one of the Top Ten Releases by Time Out New York; her next solo release with Pentatone Records, slated for 2026, is a set

of surprising keyboard transcriptions. She has commissioned concerti from Vivian Fung and Brazilian composer Joao Luiz, exploring the sounds of Carnaval on the harp; and she brings two newly-commissioned concerti to the stage in 2027.

Known for her curatorial strengths, Kibbey builds touring projects merging her own solo transcriptions alongside powerful collaborations; she has performed in duo with Kathleen Battle and Dawn Upshaw, Avi Avital, Alexi Kenney, Samuel Torres, and Mahsa Vahdat, among others.

She appears frequently as soloist and chamber musician at festivals and series across the USA. From 2022–2024, Kibbey was the Artistic Director of MOSA Concerts, elevating a local concert series to a notable world-class, cross-genre performing arts series.

VIDEOS

“… the Yo-Yo Ma of the harp.”

— Vogue Magazine

“… made it seem as though her instrument had been

waiting all its life to explode with the gorgeous colors

and energetic figures she was getting from it.”

— The New York Times

“…Once she applied her fingers to her large concert harp, it was clear that she was a formidable musician, fluent in the ‘modes, colors, and drones’ within music that carries the weight of history.”

Portland Press

PROGRAM

TBA

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Manami Suzuki, piano

Manami Suzuki, Piano

Sunday, September 7, 2025

3 pm

Memorial Hall, OTR

Historic win of prestigious competition

At just 22 years old, Manami Suzuki made history in 2024 as the first Japanese pianist to win the prestigious Hamamatsu International Piano Competition in Japan. In addition to taking home the First Prize, Suzuki also earned the Chamber Music Award and the Audience Prize, marking an extraordinary achievement.

In August 2023, she received the Grand Prix and Audience Award at the 47th PTNA (Piano Teachers’ National Association of Japan) Piano Competition, as well as the Minister of Education, Culture, Sports, Science and Technology Award and the Steinway Award.

In October of the same year, Suzuki won First Prize in the piano division of the 92nd Japan Music Concours, the Iwatani Prize (Audience Award), Nomura Prize, Iguchi Prize, Kawai Prize, Miyake Prize, Argerich Arts Foundation Prize, and INPEX Prize.

Following these awards, she gave recitals in various locations in Japan, receiving favorable reviews.

Additionally, Suzuki has performed with the Tokyo Symphony Orchestra and Japan Philharmonic Orchestra. She participated in the Hamamatsu International Piano Academy and Kirishima International Music Festival.

Born in Osaka, Japan in 2002, Suzuki began playing the piano at the age of four. Currently, she is pursuing a master’s degree at Tokyo College of Music and is studying under Katsunori Ishii.

VIDEOS

MATINĖE MUSICALE CINCINNATI

is excited to present the US debut of this emerging talent!

Epic in scale and darkly poetic, Suzuki delivered quick passage work with grand lyrical sweeps and assertive gestures while being mindful of the chamber-like interaction between soloist and orchestra at all times.

Interlude.hk

“deep, warm, and refined and honed to the finest detail, and it moves the heart to the very depths…”

— Noriko Ogawa, head judge of the

Hamamatsu International Piano Competition

PROGRAM

TBA

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