Hanick Hawley Duo

Conor Hanick, Piano

Richie Hawley, Clarinet

Sunday, October 13, 2024 | 3 pm

Memorial Hall, OTR

Explore boundary-pushing music, both new and old!


Through collaboration with some of music’s leading composers and

integration of this work with the classic music of the genre, the Hanick

Hawley Duo seeks to reinvigorate the repertoire for clarinet and piano.

Having met as faculty members at Santa Barbara’s Music Academy of the

West, they perform regularly at its renowned summer festival and school.


The Times’ Anthony Tommasini says pianist Conor Hanick’s playing is

reminiscent of a “young Peter Serkin.” Regarded as one of his generation’s

most inquisitive interpreters of music, Hanick has been presented by The

Gilmore Festival, the New York Philharmonic, Caramoor, Cal Performances, Philadelphia Chamber Music Society, and the Park Avenue Armory, and performed with American orchestras. He has premiered over 200 works and collaborated with composers both emerging and iconic. He served as co-artistic director of the Ojai Festival in 2022. Since 2014, he has been a faculty artist at the Music Academy of the West. He has given lectures and master classes internationally and is on the piano and chamber music faculty of The Juilliard School and the Peabody Institute of Music.


Appointed principal clarinet of the Cincinnati Symphony Orchestra in 1994, Richie Hawley left that position in 2011 to become Professor of Clarinet at Rice University’s Shepherd School of Music. He regularly appears on international stages as a soloist and chamber musician. He toured with the legendary Musicians from Marlboro for the 50th anniversary performance at Carnegie Hall. His numerous awards include first prize at the Coleman Chamber Ensemble Competition and the Presidential Scholar in the Arts Gold Medal awarded by President Ronald Reagan. Mr. Hawley made his orchestral solo debut at age 13 with the Los Angeles Philharmonic, and at 14 performed with the New York Philharmonic.

Hanick Hawley Duo

VIDEOS

[Conor Hanick’s] "technical refinement, color, crispness and wondrous variety ofarticulation benefit works by any master.”

— New York Times


“[Richie Hawley] ... An intellectually astute, and technically untouchable clarinetist.”


— Casa Magazine



[Richie Hawley's] "ability to turn ebony into gold--to impose his will on the instrument and make it sing--was evident throughout, from rapid passages to the hushed return of the opening theme..."

— Mary Ellyn Hutton, Cincinnati Post

 

PROGRAM

Three Romances, op. 22 …………………....……..….Clara Schumann (1819-1896)


Three Smiles for Tracey for solo clarinet……Adolphus Hailstork (b. 1941)


Sonata for Clarinet and Piano……………………..Aaron Copland (1900-1990)


INTERMISSION


Etudes for solo piano…………………………………....Samuel Adams (b. 1985)


Sonata for Clarinet and Piano…………...….......Leonard Bernstein (1918-1990)

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